Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Thursday, May 12, 2016

10 Essential Music Albums

For the last week or so, one of my favorite radio stations - 89.3 FM The Current - has been counting down the top 893 essential albums, according to a survey of its listeners. Even though the music on The Current is generally good, it's been especially great during this project - I've had my radio glued to 89.3 for days!

And it got me to thinking: What are my top 10 most essential or influential albums?
These are the 10 albums that I remember the most and had the greatest hand in influencing my musical tastes. They're mostly in order of when I discovered them, not necessarily when they were released.
  1. Ricky Nelson - All My Best
  2. Michael Jackson - Thriller
  3. U2 - The Joshua Tree
  4. Garth Brooks - No Fences
  5. Metallica - (The Black Album)
  6. Tool - Aenima
  7. Offspring - Smash
  8. Dave Matthews Band - Before These Crowded Streets
  9. Florence and the Machine - Lungs
  10. Dessa - A Badly Broken Code
 And once I have it all written out, that's quite a hodge-podge of music. That's OK, because I listen to many types of tunes, and many of my favorite bands couldn't fit on this list. I thought it would be hard to narrow down my top 10, but I was really going for the albums I put on repeat and listened to for hours.

What are your top 10 most influential and/or essential albums?

Sara Duane is a freelance writer in the Twin Cities area of the great state of Minnesota.   


Thursday, November 25, 2010

Painting Lyrics in the Air with His Hands

I've made my feelings known about hip-hop and rap before - I'm highly selective and skeptical of newcomers. You have no idea how excited I was to find this video newscast about Signmark, the deaf man who paints lyrics in the air by waving his hands.

Though he expresses himself through an art form rooted in the spoken word, Signmark doesn't make a sound. Instead, he signs his way through songs as fellow rapper Brandon gives voice to his lyrics. Together, the artists bridge the gap between the deaf world and the hearing world.

For the curious, though Signmark can't hear the music, he can feel the beat. "You can go to a concert with earplugs and you'll feel it, you'll then notice that you feel it in your body," said Signmark. As the music plays, he signs and Brandon raps in unison. The combination is a whole new kind of performance art.

"Those two words, music and deaf, they've never gone together," signed Signmark. Maybe not, but they do now: In 2009, Signmark became the first deaf rapper ever to land a recording contract.

And the music is infectious. I found three videos of his online. My personal favorite is "Smells Like Victory" but honestly they're all good. I highly recommend taking a look and a listen!

Signmark - Smells Like Victory

Signmark - Against the Wall

Signmark - Speakerbox

Thursday, February 25, 2010

Music Boosts Capacity for Language

Words and music have been natural partners for millennia. In fact, music may have been in existence for at least 50,000 years, with the first music possibly coming from Africa. Charles Darwin even speculated that musical ability in humans might have developed before language.

Since its beginnings, music has evolved to become a fundamental element of human life. Music is found in every known culture, past and present, in great variation. Even the most isolated tribal groups have some form of music.

It shouldn't be a surprise that scientists have found that language and musical abilities are linked to each other within the brain. Generally, linear reasoning and language functions such as grammar and vocabulary are under the domain of the brain's left hemisphere, while the right side of the brain processes artistic ability and hearing. Studies show that music doesn't involve just these certain spots in the brain, but it activates large swaths of both the left and right hemispheres.

Neuroscientist Professor Nina Kraus has led the first research to demonstrate that playing a musical instrument significantly enhances the brain's sensitivity to sounds. There is strong evidence that playing a musical instrument significantly enhances the brain's sensitivity to speech. Further evidence shows that music lessons help children improve their language skills.
"Playing music engages the ability to extract relevant patterns, such as the sound of one's own instrument, harmonies and rhythms, from the 'soundscape'," said Professor Kraus. "Not surprisingly, musicians' nervous systems are more effective at using the patterns in music and speech alike."
 Additionally:
"People's hearing systems are fine-tuned by the experiences they've had with sound throughout their lives," said Prof Kraus. "Music training is not only beneficial for processing music stimuli. We've found that years of music training may also improve how sounds are processed for language and emotion."
The research also suggests that playing an instrument affects automatic processing in the brainstem, which controls breathing, the heartbeat and responses to complex sounds. Kraus and her team discovered music can "fundamentally shape" brains in ways that may enhance common tasks, including reading and listening.
"Musical experience improves abilities important in daily life. Playing an instrument may help youngsters better process speech in noisy classrooms and more accurately interpret the nuances of language that are conveyed by subtle changes in the human voice," she told the American Association for the Advancement of Science in San Diego, California.

"Cash-strapped school districts are making a mistake when they cut music from the curriculum," she warned.
That applies to adults, too. Musicians are better at picking out the voice of a friend in a noisy restaurant. They're also better able to identify emotional changes and inflection in voice and speech patterns.

Possibly even more importantly, researchers have found that music education can help children with developmental disorders. Music could help some children with dyslexia, who have a harder time hearing sounds amid the din. A National Autistic Society spokeswoman said many children with autism respond well to music: "It seems that music can help children to communicate and interact with those around them, relax or to express emotions."

This sort of training probably starts earlier than parents realize. When people talk to babies, they often use musical patterns in their speech. When children start speaking on their own, they also tend to have a sing-song quality to their speech. Babies as young as three months have been found to respond to different frequencies in music and develop communication skills through music. Perhaps on some primitive level, humans have known how important music is to language.

There is good news at the other end of the spectrum, too. As long as a century ago there were reports of stroke victims who couldn't talk but who could sing. Now new research suggests that intensive musical therapy may help stroke patients and other people with neurological degenerative diseases, like Parkinson’s, communicate better with those around them.

People who have suffered a severe stroke on the left side of the brain sometimes cannot speak, but some have learned to communicate through singing. Harvard Medical School neuroscientist Gottfried Schlaug has found that stroke patients who have lost the ability to speak can be trained to say hundreds of phrases by singing them first. Sometimes just with a few minutes of therapy, severely language-impaired stroke victims responses changed from incoherent noises to clear, short phrases. Some were even able to sing "Happy Birthday" after minimal amounts of therapy.

Finally, music can help non-musicians as well. Listening to any kind of music appears to be good for people at the neurological level, as it also activates the brain in different ways. Listening to new music seems to have an especially dramatic effect. Physicist, scientific writer, and piano player Philip Ball decided analyze the current scientific knowledge about music and how the human brain makes sense of it. He found that people subconsciously try to predict what’s coming next in an unfamiliar musical piece, from the moment the first note is heard:
“It seems that that’s kind of how melody works,” Ball says. “One thing we want to do straight away is to figure out what the key is. Even people who have no idea what the concept of ‘key’ means will be doing that, whether they know it or not. Trying to find out where the tune is anchored. It’s something we do automatically, on the basis of what we’ve learned about the statistics of notes that are used….from the tests that have been done, that we’re constantly evaluating what’s going on in a melody in the light of experience. Where the melody is likely to go; the fact that it tends to go up in small steps; and it tends to go up and then down. There are these particular contours that it tends to follow.”
The conclusion of those in the biomedical field who have been researching music contend that, much like arithmetic and grammar, music should be a core curriculum due to its benefits for the human brain. It can also be an incredibly useful therapeutic tool.

Wednesday, October 7, 2009

Hip Hop and the English Language

Trying to find something good to post about today, I found this article called "Hip-Hop: An Indelible Influence on the English Language." Oh, there is a lot of fodder in here for me, mainly because I'm not a huge fan of hip-hop and because I believe the title is true. Much like how e-mailing and texting has had a lasting influence on our culture, it is obvious today to see how hip-hop has also left its mark:
Whether it is the addition of the phrase "bling-bling" to the Oxford English Dictionary in 2003 or the inclusion of the term "crunk" in the 2007 volume of the Merriam-Webster Collegiate Dictionary, hip-hop culture is changing the nature, the sound, and the rules of the English language. Words such as "hood" (short for neighborhood), "crib" (which translates as place of residence), and "whip" (meaning car) have become commonplace within everyday conversation. Phrases such as "what’s up" (hello), "peace out" (good-bye), and the extremely popular "chill out" (relax) are frequently used in television shows, movies, and even commercials for Fortune 500 corporations.
I used to like it. Hip-hop and rap used to have good qualities, but I'd say its one of my least favorite genres now. Part of it is the music, I'm a big fan of guitars and drums, while most hip-hop music is created with electronic synthesizers. They even use synthesizers on their voices, because apparently they don't have a decent sound. You know, back in the day you had to have some kind of talent, now anyone with a computer can get a record contract. But I digress.

A huge part of my difficulties with hip-hop is the language it uses. Hip-hop was establishing its roots between 1965 to 1984, according to the article and Bakari Kitwana's "The Hip Hop Generation." The music was entertaining, but at the time, it was also used by African-Americans to express concerns of political, social, and personal issues.

But hip-hop has evolved and what it was during that time period no longer exists. The valid, intelligent issues raised in these songs like racism and poverty have been replaced with language revolving around hos and bling, yet racism and poverty are still very real. Lots of hip-hop music seems to emphasize material possessions over quality relationships. Much if it is also considered degrading to women. The hip-hop movement has gone a step further and glamorized gang-banging and drug-dealing.

And I haven't even touched on the acts of murder many hip-hop artists commit on words. "Back in the day," there seemed to be a sense of pride among hip-hop writers in having a wide vocabulary and using words creatively. Now, consonants and vowels are dropped or misspoken on purpose to try and make the rhyme fit. This is just lazy and I can't respect it the same way I respected the hip-hop lyricists who came before. Compare the lyrics of Ice T, Public Enemy, NWA, and, yes, even The Beastie Boys to today's Flo-Rida, Ne-Yo, and Fabolous. Even their names are ridiculous. I mean... Jay-Z and Eminem needed to come back!

Now I'm not saying that hip-hop hasn't had any good effects on culture or that it hasn't made people think about language in an entirely different way. I have a few hip-hop favorites that I still listen to. But there is a reason why record sales have been down since 2005 and rumors are circulating that the death of hip-hop could be drawing near. Something has changed in its dynamic, and now it no longer seems to be contributing much of anything good to society, let alone language.

Additionally, with the current economic and social climate, hearing about a celebrities bling and expensive cars isn't what people want to listen to when they're struggling to make sure there is food on the table or a roof over their heads. Crime, poverty, and discord are abundant right now. If hip-hop went back to its roots and discussed political, social, and personal issues in the intelligent and thought provoking ways that it used to, it could make a come-back.

Saturday, January 24, 2009

Review: Slipknot Concert in Saint Paul

On January 23rd, 2009, Slipknot began their All Hope is Gone World Tour in the great city of St. Paul, Minnesota. If you were there, you know it. If you weren’t, you missed a spectacular show, thick on the spectacle.

Being that the streets are icy and our journey to the Xcel Energy Center was in the middle of rush hour on a Friday, my date and I didn’t quite make it on time, so I didn’t get to hear much of the very first band that played, Trivium. What I heard as I was finding my seat sounded decent. The people in the section around us seemed to think they were pretty good.

I can’t say the same for the second band that played, Coheed and Cambria. I had heard of them before, listened to some of their music in the past, and sang “Welcome Home” while playing Rock Band. I can’t say that any of them were a good experience. I’m going to take the stance that I can’t say anything nice here, so I won’t say anything at all about their “musical performance” last night. I would like to point out, though, that unlike Trivium, no one in our section seemed to like Coheed and Cambria either.

After the red velvet curtain was finally pulled for Slipknot’s show, the nine members of the band launched immediately from zero to full speed like a rocket taking flight. With a drummer and two percussionists banging on beer kegs to drive the beat, how could they not? This review isn’t about a set-list, you can find that here, but they played many of their best songs, including “Wait and Bleed”, “Duality”, and “Before I Forget”. They also played “Psychosocial”, “Dead Memories”, and “All Hope is Gone” from their new album of the same name.

This is a band that has done their homework regarding the theatrics and entertainment of concert experiences. Their drum sets were on hydraulic lifts that raised about ten feet off of the ground and spun in a circle! At one point during the encore, the full drum kit was raised and then tilted forward to a 90 degree angle until a still-seated Joey Jordison had a great view of the floor. All the while, he played on and the rhythmic pace continued. Heavy guitar riffs and mind bending samples combined for a high octane soundtrack to what proved to be not only an amazing music concert but a great piece of theater.

The ringmaster of this show was lead singer Corey Taylor. Being a corn-fed Midwesterner by birth, you could tell that he really enjoyed performing for a crowd close to his roots. And this audience was enraptured with absolutely everything he did. Spitting out lyrics while perched on a bank of lights at the front of the stage, his presence commanded the attention of every person at the Xcel. He was like a magician, as with a wave of his hand and a few words, the crowd was spellbound, ready to do his bidding. Clap, shout, jump, sing: We listened. Like the pied piper, if he would have lead us out into the streets, 18,000 people probably would have followed. It’s a good thing that he uses his powers for good instead of evil.

This concert was an incredible experience. I’ve always liked Slipknot from the first time I heard “Wait and Bleed”, but this was my first time seeing them live. From running around the stage like controlled wildfire to dangling from a hydraulically lifted drum-set, these guys were always doing something interesting on top of playing great music. I would highly recommend a Slipknot concert to people with a love for rock, heavy metal, or at least a good tolerance for loudness because even if the music isn’t your cup of tea, these guys are entertaining to watch.